New lights!

Well, a couple of little Nanlite Forza 60s arrived today, and I just took a few test shots. The lights are small enough that they can be hand held with ease, so I took the opportunity to do so (at least with the key light – the other one was on a stand with a Fresnel lens attached), moving it to various positions to see what effect it had on the overall lighting. First impressions are good, although in hindsight I should probably have gone for a little more power as it would have given me more options with regard to modifiers and camera settings. However, I specifically wanted to try these Forza 60s for their lightness and portability, and the next model up (300w/s) is slightly heavier and requires quite a large and separate adapter/controller as well. Oh, and it’s three times the price.

This image was shot at f6.3, 1/60th of a second and ISO400; not much leeway there but it was dark/night time so there was no help with regard to ambient light (and to make matters worse – or better, depending on your POV – I had exposure compensation set to -2, albeit that it ended up at -1 after post production). I reckon shooting during the day (the lights are daylight balanced at 56,000k) might give me an extra couple of stops, though, so I’ll try again at some point soon. I also realised afterwards that I had a circular polariser on the lens, and that will have cost me at least a stop too.

The key light was just fitted with a reflector/spill kill but I shot through a light tent to soften it a bit. I’m thinking, though, that with some assistance from ambient daylight and with no polarising filter fitted, I should be no worse off shooting with a softbox instead of using the light tent. I’d probably put a softbox on the other light too, which would no doubt help a fair bit.

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Some more horological husbandry!!!

It’s been a while since I last posted, and this piece once again is about changes to what seems to be an ever-growing collection (not through any planning or intent on my part, I hasten to add – I actually thought I might be able to get the numbers down a bit). That said, I’ve had some new arrivals over the past few months so I thought I’d write a quick update for those that might have an interest 🙂

Omega SM300 new build

I’ve admired these from afar for absolutely ages, as I love the originals and had a WTB for one for quite a while. There have been some lovely examples passing through SC but I’ve never quite managed to nab one, but finally this unworn example reared its head in Singapore and it seemed too good an opportunity to miss. It’s one of the sought-after Lewis Watch Company builds, and there’s a post on the Omega Forum that sets out the background very nicely. For those who don’t like to follow links, here’s the gist of it…

What I’ve done with these is a fair bit more thorough than what Watchco did with theirs a few years back.

The movements are still from donor watches (565 for date and 552 without date). However they have had no expense spared servicing performed which included as a minimum new centre wheels, cannon pinions, mainsprings of course, some have had new barrels, barrel bridges, balances. Essentially whatever they needed in terms of new parts as well as traditional techniques to reduce or eliminate the effects of 50 odd years of wear on someone’s wrist.

Add to that entirely synthetic lubrication and at least a month of testing and fine tuning. Each case back has been professionally engraved on the inside with the serial of the movement, the build date, my company initials and the sequence number (1 of 6).

They have all been tested waterproof to 100meters which is all the Witschi Proofmaster S will go to. – This is a professional grade machine and is extremely sensitive to case deformation under vacuum and pressure. They have also been wet tested. I then produced a certificate for each watch giving its particulars. It’s timing and waterproof test performance numbers are listed.

ALL parts are new stock except of course the movement. ALL parts used are Omega and the correct ones for this reference, right down to the case clamps and screws. ALL bezels align properly at 12, no dodgy factory seconds here.

I have added the latest deployant clasp and leather or rubber strap which are also Omega items. Perhaps controversially I don’t like the mesh bracelet ( apart from to look at ) as it’s hard to get a proper fit and is uncomfortable to wear. Likewise the 1171 / 633 is a $25 bracelet with a $400 price tag.

Wrapping it all up is a brand new wooden Omega box of the Planet Ocean / modern SM300 variety. Plus a 12 month warranty on my workmanship.

So… a great build, two OEM leather straps and a deployant, a bit of paperwork, some engraving, a lovely box set and lume like a torch. What’s not to love?

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Breitling Navitimer 806

I find the general love of all things Breitling a bit mystifying, if I’m honest. Whilst I don’t doubt their quality for a moment, I really haven’t seen many that I like and most are simply far too blingy for an old fart/traditionalist like me. That said, there has always been one exception, and that’s the Navitimer. Within the iconic chronograph hierarchy I believe it holds a place very near the top, and I shudder when I think that in the past I’ve simultaneously owned an 806, and Ed White and a white gold Daytona… all of which have slipped through my fingers.

Anyway, the Navitimer has a genuinely interesting heritage and history. After the great success of Breitling’s first slide-rule watch (the Chronomat), the Navitimer was launched all the way back in 1952. Whilst the Chronomat was focussed on the engineer and businessman market, the Navitimer was designed specifically for pilots; so much so that the “Aircraft Owners and Pilot Association” (AOPA) immediately decided to make it their official watch. This new Navitimer combined three essential tools for navigation – a watch, a chronograph and a slide-rule. It was, effectively, a navigation timer, hence the name it was given.

It was designed with the Venus 178 movement (although some later models contained a Valjoux), a well-respected column wheel chronograph, and the first to be produced were fitted with a black Arabic dial and the famous AOPA logo. In fact, on the very first models “Breitling” was only seen on the case back. Shortly afterwards, the Breitling name was added over the AOPA logo, sometimes topped with the “B”. The reference of this watch was 806, and remained so until the introduction of a completely new generation in the 1970’s.

Over the following years, there were a number of dial variations, each termed a “Generation” (numbered 1-7 or so up to the 70’s, at least); there are some reasonably good sources of information out there for anyone who may be interested, but it takes a bit of legwork and it can be a little confusing as not all historic accounts are completely consistent.

Anyway, this acquisition is lovely – a 2nd Generation 806 that dates to 1966. It really is in good all-original condition, with a white on black dial and incorporating the earlier/smaller subdials that I think are by far the nicer.

Aside from the fact that the case is unpolished but in great original shape, the patina on dial and hands is even and dark, and the subdials are gorgeous (it was also very recently serviced, but there was no attempt to clean the dial – there are obvious signs of discolouration, but on the plus side it means that it’s in untouched condition). Note the absence of red highlights too – seen on later/current models but unsubtle in comparison.

Just a little (more specific) information on the 2nd Generation variant, taken from the Net… in approximately 1960 – after the watch had already become a huge success – the Navitimer’s design was modified and thereafter became known as “2nd Generation”. The three subdials changed from black to white, the hands were remodelled and the Breitling name appeared in printing on the dial. During the 1960’s the slide-rule bezel was also remodelled twice. Moreover, the AOPA wing was removed from the dial and the official Breitling Navitimer logo became two aircrafts flying in close formation. At the same time, however, Breitling continued to supply AOPA with Navitimers sporting the AOPA logo on the dial.

So… here you go!

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Omega Speedmaster 60th Anniversary

Now, I’ll state at the outset that I love this trilogy of tribute watches released by Omega. I already have the Seamaster 60th (I’m actually wearing it as I type, and it’s one of my favourite watches), so I was delighted when an opportunity arose to add it’s sibling. I’m actually tempted to get the Railmaster too, but I’ll have to have a good think about that before taking the plunge yet again.

I won’t bother writing any kind of history of the Speedmaster, but will just say (as I’m sure most people know by now) that the proportions and design of the 60th Anniversary are an exact match of those of the first model launched in 1957, the reference CK2915-1.

The dial as also a faithful reproduction of its ancestor, as are the broad arrow hands (seen again, also, on the previously released Speedmaster ’57); the applied Omega logo has been reincarnated, and the Omega Speedmaster signature is in the original font.

Whilst the 60th is a very faithful tribute, the movement is of course the modern caliber 1861. The bracelet is identical in style to ye original, but is far more solid and sports a very sold clasp with micro-adjustment on the fly. The lume – yes, it’s been given an aged look like the other two watches in the “set”, and some people will no doubt find that a little marmite – is a lovely bright luminova, whereas the original would have been radium. Finally, the “Swiss Made” is now above the seconds, track while it used to be below.

For comparison purposes, then, here’s the original…

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And here’s the 60th!

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Actually, given that I mentioned its Seamaster sibling I may as well post a shot of that too, whilst I’m at it!

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Blancpain Tribute to Fifty Fathoms Mil-Spec

Well, this is the last of the incomings, and to be honest it’s the one I’d been craving since I first heard of its release. In fact, I’ve paid more than one begging visit to the Bond Street boutique, even at one point trying to buy the prototype (only 500 were released globally, and the boutique were allocated just 2!).

To trace it back to it’s roots one has to travel back all the way to the early 1950’s – even before Rolex released the first iteration of the Submariner at 1954’s Basel Watch Fair. In 1952, the French “Nageuers de Combat” (combat swimmers) was formed by the French government as an elite team of tactical soldiers – effectively, they were France’s early equivalent of the Navy Seals. Led by Captain Bob Maloubier, the mission of this elite group of frogmen was undersea intelligence gathering and acts of sabotage, such as attacks in sea ports or destruction of ships, all accomplished by teams of divers often working at night.

Beyond their diving tanks, scuba regulators, masks, flippers and suits, Maloubier understood the importance of robust and reliable diving instruments, of which there were three: a compass, a depth metre and a diving watch. The watch was central to many of the key tasks confronting the divers. Of course the timing of the dive was an essential (it would not to do to over-stay the supply of oxygen). A second, and perhaps somewhat less obvious need was timing for navigation purposes. After running tests of the watches then available on the market, Maloubier concluded that none were up to the task. Thus, he decided to undertake the conception and design of a timing instrument that would target the needs of military combat diving.

Blancpain fulfilled these needs and provided the first model of this very specific divers watch in 1953, the “Fifty Fathoms”. The rest, I guess is history, but amongst the many models that have been produced since then the Mil-Spec (based closely on the original Mil-Spec that was produced in 1957 – so in fact another 60th anniversary release) is one of just two of the modern variants to be given a substantially more wearable case of “a mere” 40mm. I’ve previously owned both the standard auto and the Dark Knight, both of which were 45mm, and whilst I loved them both they were simply a little too big for me.

That half orange, half white circle you see prominently placed at six o’clock is an indicator for water ingress. If the dial is exposed to water – even a relatively small amount – the white part will begin to turn a reddish-orange to match the other side. However, with WR rated at 300m, one would sincerely hope that it’s not something that will ever be anything more than redundant functionality.

Inside, and unlike the larger FF’s, is the Blancpain calibre 1151 movement. In fact, it’s made by Piguet but has been used extensively by Blancpain, and also by Brequet, AP and VC. Only Blancpain is allowed by Piguet to have a 100 hour reserve, whilst other companies have to settle on a “measly” 70 hours. The movement doesn’t hack, either, which had me frantically consulting my Google-Fu to ensure that mine didn’t have a problem!

I’m absolutely delighted to have snagged this watch; I genuinely thought I’d missed the boat, so it was especially lovely to finally strap it to my wrist.

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A couple of sneaky incomings…

Given that it’s Sunday morning and the alternative is to get on with some paperwork/accounts, I thought I’d post quickly about two watches that have arrived recently, both of which have made an immediate impact.

The first is a watch that’s I’ve written about in its other guises more than once already, and that’s the limited edition Aerospace Evo Night Mission – the “LE” signifying that it’s one of just 300 produced with the Cobra dial. Now, when I bought this a few weeks ago I knew that I wouldn’t keep both an Aerospace and a B-1, and I suppose it says something that the B-1 has subsequently gone. The Night Mission really is a very nice watch, and the two photos below are simply to demonstrate how the very deep yellow of the dial does still change in different light; and that it can look really good on leather. In fact, I find it much more wearable like this than on the OEM canvas strap, albeit that both look excellent. I do wonder what it would look like on a DLC’d bracelet, though!

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The second arrival is, I think, a bit special. It’s the Seamaster 300 Master Co-Axial, a watch that I knew I would end up buying on its release (and in fact said so on here, which if nothing else demonstrates some kind of premeditation and therefore makes me feel better!). Now, there are two reasosns that i think this watch is no ordinary diver, and the first relates to its heritage. Back in the 1950s, the dive watch was beginning to capture the imagination, and to stake its claim in the world of horology. Earlier in the decade both Blancpain and Rolex “made a splash” with the Fifty Fathoms and Submariner respectively, but then in 1957 Omega released a trio of tool watches that would cement its position amongst its rivals for decades to come. These three watches ware the Speedmaster, the Seamaster and the Railmaster; the Seamaster reference was CK2913 and although branded as “300” it was actually rated for 200m. Still, it was a big improvement on the earlier Seamasters, that were dress watches if anything and so not really worthy of the name. Anyway, it looked like this… or at least, this variant did, as there were a few. Note, though, the lollipop hand now seen on the Spectre edition!

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So the new Co-Axial Seamaster is yet another very firm nod to the past, and this trait of Omega’s is something that I personally like very much. However, there’s no doubt that the latest reference takes full advantage of whatever tech is available right now. The spec is very impressive indeed, and rather than just collate a summary from here, there and everywhere I’, going to quote from a Hodinkee review of this watch, that pretty much hits the nail on the head:

The steel case is now 41mm instead of the original’s 39. Sure, the aforementioned “Wally Schirra” Speedy stayed true to the 39mm size, but 41 is just about perfect for a dive watch. The bezel, of course, is not fragile acrylic but Omega’s LiquidMetal, an amorphous metal alloy with extreme corrosion and wear resistance, but whose shiny appearance mimics old acrylic well. The crystal is naturally sapphire but domed like its ancestor. And the luminescence is provided by Superluminova instead of tritium, but is tinted a perfect faux patina gold as if the watch had aged in a retired diver’s drawer for 60 years. The dial is a matte black with a bit of texture that one might interpret to be further faux aging but looks wonderful from an angle. The dial markers, small triangles like the CK2915, are not painted on the dial but sandwiched in a layer underneath, which adds more depth and further highlights the dial texture. Best of all, in keeping with the vintage piece to which it pays homage, it doesn’t have a date function.

In place of the trademark Omega hippocampus caseback engraving (which I would have liked), the Seamaster 300 has a broad sapphire display back, which fully exposes the “Master Co-axial” caliber 8400 that is part of the watch’s full name. The clear case back shows off the beautiful radially-decorated automatic movement but also is a bit of a subtle boast, since the watch is full anti-magnetic to more than 15,000 Gauss without the use of a soft iron movement cover, thanks to its silicon hairspring. In addition to its anti-mag properties, the movement sports two barrels for 60 hours of power reserve, a co-axial escapement and free-sprung balance wheel and is chronometer-certified. It also has the nifty “time zone” function, which means the hour hand can be advanced or retarded in one-hour increments without hacking the watch or moving the minute hand. While early Omega co-axial movements were modified ETA 2892 motors, the caliber 8400 represents the culmination of Omega’s R&D and is one of the finest automatic movements around today.

All in all, a tremendously up to date watch with a real vintage vibe (and I LOVE the colour of the lume, which is used without comment by the likes of Panerai and JLC… it’s certainly better than lime green, FFS). I’ve had a real problem taking any decent shots of it, I’m afraid, as my lights are causing havoc with the domed crystal. However, here are a couple that came out reasonably well and I’ll try to take some more as and when time permits.

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The ultimate grab & go?

I’ve been on an almost constant quest for the “right” ana-digi, do anything, grab & go watch. I’ve tried a multitude of Aerospaces, an Airwolf, TAG Heur’s “Aerospace killer”, the Chronotimer… all have come and gone because I knew that the watch I really wanted was none of these. It was the B-1.

I’ve seen a few go on the forums… not many, as they’re bloody hard to find, and not always at the right price or in the right condition. Anyway, yesterday my quest ended. This is apparently the last new B-1 to have been sold in the UK, by Andrew Michaels to a mate on TZ-UK. They were discontinued in 2006 with the last stock sold for the most part in 2007; however, this was sold in 2009, and it’s obviously the later Superquartz A78362 with a spec as follows:

Model: B-1 SuperQuartz
Production Years: 2002-2006
Gender: Mens
Case Material: Steel
Movement: Breitling 78
Battery/Battery Life: CR2320/2-3 Years
Water Resistance: 50m
Bezel: Bidirectional
Crown: Push-Down
Crystal: Sapphire
Diameter: 43.2mm
Thickness: 16.5mm
Weight: 95.7g
Bracelet: Fighter
Lug Width: 22mm

I’ve just given the bracelet (which was nice and clean anyway) an ultrasonic bath, so took the opportunity to pop it onto a black Zulu. Whatever I wear it on I’m going to enjoy it a lot. Mind you, but I’ve got no idea what I’ll use the slide rule for 🙂

And on the Zulu…

Incoming Ana-Digi!

I posted a WTB on TZ-UK recently for an X-33 or a B-1, thinking that either would be perfect for a forthcoming trip to NY (and would in any event serve a purpose thereafter). I decided against the X-33 for various reasons, but before I could unearth a B-1 I was offered a nice minty Aerospace Evo and decided to take the plunge. I have to say that I’m glad I did.

The Evo is the largest Aerospace yet at 43mm, but it still retains both it’s legendary comfort and it’s lightness as a consequence of being titanium. Other changes are a slightly different handset (a half-lumed hour hand and a needle minute hand), re-styled rider tabs and a little more bling in the applied logo and numerals. On the wrist (and away from the bright glare of my lights), however, it seems almost understated and certainly doesn’t shout too loud. The size is fine on my 6.75″ wrist – bear in mind that the wrist shot is taken at close quarters with a wide-angle lens – but I certainly wouldn’t want to go any larger.

End of year SOTC

Well, it’s that time again… coming up to Christmas, the festive spirit is mostly in the fridge right now and a quick look back over the year is appropriate.

I posted a an SOTC this time last year, at which time I had 13 watches with an emphasis on vintage Rolex (and there were some beauties!). This year I tried to get the numbers down a bit, and I succeeded for a while… I seem to have gone back up to 12 again, though, which is yet further evidence of my non-existent will-power. Anyway, as I did last year I still have vintage Rolex and Autavia GMTs; a nice old 5513; a fugly Tuna; a dressy and complicated JLC and GO; and a variety of other things to give me plenty of options. Too many options really, but I may as well just enjoy them all while I can and stop worrying about it.

I’ll take the opportunity to wish everyone well over the holidays too. It’ll be a quiet one for me as my other half is away with her family, but at least I can watch all the horror movies I want to watch for a couple of weeks 🙂



SOTC – 28/10/13

A couple of people asked me to post an up to date SOTC recently, so here it is – no changes of late and I won’t be selling any of these any time soon. I quite like the mix of modern and vintage, and there are quite a few different styles and complications in there. I must say that I’m particularly fond of the 806 (which needs a new strap) and the 5513, although I wear all of them regularly and get a lot of pleasure from each of them.

I had 17 watches not that long ago and am much more comfortable with a smaller and more manageable collection (that said, I do have a little package on the way). Anyway, I hope you like the pack-shot

A lesson in vintage

These two watches have taught me a very important lesson when it comes to vintage, and one that has altered my whole perception of what I like. I’ve spent the last couple of years looking for old watches that are so pristine that they might never have been worn, but throughout that time I’ve been missing the point.

I love these watches so much, and part of the reason is that wearing them feels like I’ve inherited their history – because you can see that history at a glance. In fact, this has struck home to such an extent that I’ll almost certainly move on my NOS Autavia GMT and replace it with something that looks… well, a bit older.

Funny game, this.

One of my all-time favourites

I’m not quite sure what it is about the 806 Navitimer. This is my second – once again housing a Venus 178 movement and showing far more patina than the first (but all the better for it); when on the wrist, it just has a delicious golden glow that hints at its 47 years of age.

I could honestly wear this every day and never get bored, and I don’t see myself ever selling it. A perfect watch, and one of my all-time favourites.

Iconic chronographs

I’ve seen quite a few attempts to define the most iconic chronographs of all time. Top 5 after top 5, all of which have one thing in common… and that’s the watches that occupy the first 3 places. I didn’t set out to have those 3 in my watch box, but I’m not complaining either.

I have to admit, after these three it all gets a bit confusing. I think I’d go for a Heuer of some sort – probably a Monaco, put perhaps a Carrera – in 4th spot?

The definition of “icon”

Icon: a person or thing regarded as a representative symbol or as worthy of veneration (Oxford English Dictionary)

I find the general love of all things Breitling a bit mystifying, if I’m honest. Whilst I don’t doubt their quality for a moment, I really haven’t seen many that I like and most are simply far too blingy for an old fart/traditionalist like me. That said, there has always been one exception, and that’s the Navitimer. Within the iconic watch hierarchy I believe it holds a place very near the top, and some time ago I allowed a rather lovely example to slip through my fingers. yesterday, however, I put that right.

The Navitimer has a genuinely interesting heritage and history. After the great success of Breitling’s first slide-rule watch (the Chronomat), the Navitimer was launched all the way back in 1952. Whilst the Chronomat was focussed on the engineer and businessman market, the Navitimer was designed specifically for pilots; so much so that the “Aircraft Owners and Pilot Association” (AOPA) immediately decided to make it their official watch. This new Navitimer combined three essential tools for navigation – a watch, a chronograph and a slide-rule. It was, effectively, a navigation timer, hence the name it was given.

The Navitimer was designed with the Venus 178 movement (although some later models contained a Valjoux), a well-respected column wheel chronograph, and the first to be produced were fitted with a black Arabic dial and the famous AOPA logo. In fact, on the very first models “Breitling” was only seen on the case back. Shortly afterwards, the Breitling name was added over the AOPA logo, sometimes topped with the “B”. The reference of this watch was 806, and remained so until the introduction of a completely new generation in the 1970’s.

Over the following years, there were a number of dial variations, each termed a “Generation” (numbered 1-7 or so up to the 70’s, at least); there are some reasonably good sources of information out there for anyone who may be interested, but it takes a bit of legwork and it can be a little confusing as not all historic accounts are completely consistent.

Anyway, this acquisition is lovely – a 2nd Generation 806 that dates to 1966. It really is in good all-original condition, with a white on black dial and incorporating the earlier/smaller subdials that I think are by far the nicer. Aside from the fact that the case is largely unmarked, the patina on dial and hands is even and dark, and the subdials are gorgeous (it was very recently serviced, but a decision was made at the time not to attempt to clean the dial – there are obvious signs of discolouration, but on the plus side it means that it’s in untouched condition). Note the absence of red highlights too – seen on later/current models but unsubtle in comparison.

Just a little (more specific) information on the 2nd Generation variant, taken from the Net:

In approximately 1960 – after the watch had already become a huge success – the Navitimer’s design was modified and thereafter became known as “2nd generation”. The three subdials changed from black to white, the hands were remodelled and the Breitling name appeared in printing on the dial. During the 1960’s the slide-rule bezel was also remodelled twice. Moreover, the AOPA wing was removed from the dial and the official Breitling Navitimer logo became two aircrafts flying in close formation. At the same time, however, Breitling continued to supply AOPA with Navitimers sporting the AOPA logo on the dial.

It was quite hard to glean much data on the Venus 178, but I did find this:

Lever movement, stem wind, seconds bit with second hand, column wheel chronograph with carrying arm, 1/5 second, 30-minute register and hour counter. Diameter 31mm, 18.000 BPH, 17 jewels, Incabloc shock protection.

So, a few photos then…